Twentieth-Century Design (Oxford History of Art)

Twentieth-Century Design (Oxford History of Art)

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Twentieth-Century Design (Oxford History of Art)


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        Twentieth-Century Design (Oxford History of Art)The most famous designs of the twentieth century are not those in museums, but in the marketplace. The Coca-Cola bottle and McDonald’s logo are known the world over and may tell us more about our culture than a narrowly-defined canon of classics. One of the world’s foremost design historians, Jonathan Woodham takes a fresh look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. Drawing on the most up-to-date scholarship, he explores themes such as national identity, the “Americanization” of ideology and business methods, the rise of multi-nationals, Pop and Postmodernism, and contemporary ideas of nostalgia and heritage. Woodham sets the proliferation of everyday design against the writing of critics as diverse as Nikolaus Pevsner, the champion of Modernism, and Vance Packard, author of The Hidden Persuaders. The history which emerges is clearly seen for what it is: the powerful and complex expression of aesthetic, social, economic, political, and technological forces.

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“New” design history by
Since Hesketts “Industrial Design” from 1990, this is the best comprehensive introduction to the “new” Design History view on the parallel histories of design developments in this century.

It takes a relatively non-heroic attitude towards celebrated designers and design classics while trying to locate the meaning of design products in mass culture, lifestyles, corporations and consumption spheres instead of the designers “creative mind.


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All American Ads of the 80’s (Midi S.)

All American Ads of the 80’s (Midi S.)

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All American Ads of the 80's (Midi S.)


Tags: ads advertising art book advertising picture book history retro advertising

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  • amazon.com Sales Rank: #89547 in Book
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Great book!!! by TampaTony1978
An awesome collection of ads from this decade. Hundreds of pages w/ ads of all categories. Very enjoyable. I’m an advertising major & this is a fun book to own!!!

The wallpaper of capitalism by Robin Benson

The seventh book in the fascinating Taschen ‘All-American Ads’ series and as editor Jim Heimann says in his short introduction, print creativity wasn’t exactly sparkling in the Eighties. Television took most of the ad budget leaving print to soak up what was left with ads that reinforced what had been seen on the small screen. Still, some ads did capture the consumer’s imagination, do you remember ‘The united colors of Benetton’, ‘Just do it’ for Nike, Maxell cassettes, Swatch and Absolut vodka campaigns?

The 608 pages in this latest book follow the same style as the others, divided into nine chapters which do actually vary in each book according to which decade you are looking at, here Electronics gets a fifty-eight page section all to itself and not an mp3 or DVD player in sight (or a reel-to-reel tape-deck). The ads are either whole page or four to a page and they have all been cleaned up colorwise and corrected to avoid screen clash with the originals.

I enjoyed the section on Entertainment, loads of memory-jogging movie ads showing how Hollywood moved ever closer to the teen and twenties market. Alcohol and Tobacco contains almost the last ads for cigarettes, remember the Camel ‘Smooth Character’? As with ‘All-American Ads 70s’ I thought the best designed stuff was in the Business and Industry chapter, agency designers and typographers could ignore the restraints that often applied to consumer ads.

I now have the seven books in the series (the set will be complete with ‘All-American Ads of 1900-1919) and they all reveal a fascinating look at American life and consumer culture over the previous decades.

Brilliant exploration - a time capsule like no other! by R. Reagan
I first tried the examination of 70’s advertising as nostalgia and boy did I receive it in spades. The comprehensive nature of these books truly allows readers to examine attitudes towards a variety of products (Technology, Business, Cars, Food, Liquor, Movies, etc.) and see how our sensibilities have changed and in many regards regressed. The 80’s book highlights the dawn of Spuds McKenzie, the peak of Joe Camel and the advent of Absolut. The ads carry such immediacy that you’ll be reminded of ad campaigns, jingles and events you hadn’t considered in years. I can’t even recall the last time I thought of the MG Midget automobile, but it was wonderful being reminded how much my sister wanted one as her first car. The book is even more valuable when you have other volumes to compare it to as the verbose nature of ads within the 70’s seems remarkable compared to the high gloss “image first” approach of the 80’s. I adore these books and the introductory chapter also helps frame the time beautifully. I cannot more heartily recommend this book and all the others for readers with even a cursory interest in advertising or popular culture.


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Icon: Art of the Wine Label

Icon: Art of the Wine Label

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Art of the Wine Label


Tags: mezcal advertising art book advertising picture book

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        Icon: Art of the Wine LabelThe wine label is a powerful icon of modern civilization. It is a precious object of art that symbolizes and disseminates the cultural and spiritual values of the land where wine is grown.

Wine label design has undergone a renaissance where art meets marketing in the most powerful way, penetrating the subconscious, utilizing the power of suggestion to imply flavor and quality. The acknowledged masters of the new wine label design are Jeffrey Caldewey and Chuck House. Over the past several decades they have played a pivotal role in defining the global wine renaissance. They have created design for some of the world’s most sought after and/or most widely disseminated wine labels. Some labels are even pursued by collectors while others are displayed in the modern household as a design element.

This book is a collection of their most important works. Beginning with a short treatise on some of the philosophical aspects of modern iconography, it documents 100 wine labels and bottle designs in life size with complete descriptions of the genesis and thought behind each design concept. This book will become a classic in package design and essential for wine marketers and those who collect label art.

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Icon: Art of the Wine Label by C. King
This book was not only interesting to read, the artwork and dedication to all aspects of wine was unbeleivable. This is one I will read over and over again. Ok, maybe I will be just looking at the pictures…

Best of the Best! by Donald Surplus
ICON - the embodiment of spirit, matter, and time. In Einsteinian terms, ICON would be the equation that sums time, space, matter, and ideology.

ICON is a tour de force, a signature piece representing the extensive body of work by two of the wine industries brightest stars, Jeffrey Caldeway and Chuck House, package designers.

One once told me that the contents of a barrel, brown bag for a label, sans introduction, sipped from a coffee cup in your kitchen, will defy distinction by most and keep both the wine and the consumer most honest.

But we of sophistication desire more than honesty, and more is ours in ICON. To the vast universe of wine, the package brings order to chaos, diminishes chance, dispels mystery, stamps a caste, creates distinction, and strokes your ego and those of others. We assume the package as an intimate expression of Self, much in the same way one would don a designer creation. Albeit, a label does nothing to alter the wine.

In this treatise of wine package history, we are reminded that necessity is the mother of invention. Order to chaos produced the first labels. Labels of origin, distinction, and personality followed. It wasn’t until recent times that ego drove the package, and Ego is the stuff of ICON.

This book reveals both Jeff and Chuck as modern day alchemists, intently stirring their witches brew of ego, dream, soil, anxiety, money, sweat, clone, ambition, microclimate, and desire, distilled into an amalgam of glass, cork, paper, and ink which will transform total of Past into the largesse of Future . . . a responsibility from which all but the most tempered would shrink.

And whom amongst us do we charge with this lofty responsibility? It must be entrusted to those select few who have the creative talent, skills, will, and ability to lift mere grape juice to the pedestal upon which it currently resides. Package designers must do for others what they are incapable of doing themselves.

Jeff Caldeway and Chuck House are gifted Iconoclasts, challenged with creating an artistic expression which will herald not only the product but, moreover, the totality of the person, the sole of the winemaker, the beast that lies within. We find the authors delving into a very intimate and complex process of discovery. Needs. Wants. Values. History. Family. Dreams. Hopes. Fears. Stuff. From all this they must derived a package that projects not only the person and the product, but also an expression that potentially becomes a fulcrum on which success and failure balance.

Drawing from ancient beginnings, Jeff Caldeway and Chuck House have successfully bred charm and aristocracy into the great wines and spirits of present day, inscribing pedigree after pedigree that will endure. Page after page brings to mind another example of success that can be directly attributable to the profound influence their package had on the wine selection process.

The depth and breadth of their body of work clearly place Jeff and Chuck at the forefront of the wine package business for more than three decades, leaving a legacy most others could only hope to achieve. ICON secures their place amongst the elite who’s creativity exceeded all those before them, who’s work will not soon be eclipsed.

Art, beauty, and finesse abound. ICON elicits something that is deeply satisfying, much like a well-turned ankle or great music. Printing, inks, paper, photography, binding are all first cabin. ICON is a calling card, a testament, and an example of excellence that the authors expect from themselves and deliver to others.

We are blessed to have such a fine compendium to grace our lives, the likes not often achieved. It is a gift, a reference, a history, a conversation maker, and a commanding centerpiece for any lover of wine and art. I would recommend you add ICON to your collection and see how long it stays on your coffee table! I hope you enjoy it as much as I do. Share it with a friend.

Must Have by
A designers must have! Great inspiration on pushing the envelope in packaging design. Jeffrey Caldewey and Chuck House are the top of their field and it shows in every design. A great gift for the upcoming holidays. Everyone from wine connoisseur to artist will enjoy this book.

A guide which offers a collection of work by the modern masters of wine label design by Midwest Book Review
Jeffrey Caldewey and Chuck House’s Icon: Art Of The Wine Label is also a highly recommended, distinguished guide which offers a collection of work by the modern masters of wine label design who have for decades helped define global wine label design strategies around the world. Icon is a collection of some of their best works, providing both an artistic assessment of the art of iconography to examples of 120 wine labels and bottle designs complete with their distinctive branding qualities.

Great Book for Wine Enthusiasts by Patrick Rice
This is a great book for any wine enthusiast. It is the ideal coffee table book to have out when your friends stop by. The book is interesting and a great conversation starter. I really enjoyed this book. Of course, it didn’t have every wine label I was looking for, but it did contain many of them. This book would make a perfect gift for anyone.


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All-American Ads of the 70s (All American Ads)

All-American Ads of the 70s (All American Ads)

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All-American Ads of the 70s (All American Ads)

All-American Ads of the 70s (All American Ads) #Image 1 All-American Ads of the 70s (All American Ads) #Image 2 All-American Ads of the 70s (All American Ads) #Image 3


Tags: advertising art book advertising picture book

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        All-American Ads of the 70s (All American Ads)Both eclipsed and influenced by television, American print ads of the 1970s departed from the bold, graphic forms and subtle messages that were typical of their sixties counterparts. More literal, more in-your-face, 70s ads sought to capture the attention of a public accustomed to blaring, to-the-point TV commercials (even VW ads, known for their witty, ironic statements and minimalist designs, lost some of their punch in the 1970s). All was not lost, though; as ads are a sign of the times, racial and ecological awareness crept into everything from cigarette to car advertisements, reminding Americans that everyday products were hip to the modern age. A fascinating study of mass culture dissemination in a post-hippie, television-obsessed nation, this weighty volume delivers an exhaustive and nostalgic overview of 70s advertising.

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Be careful of some of the “ads”. by Jeff
There are some drug related and “adult” type product ads in this book. You may want to keep it away from the kids!

Too recent to be truly memorable. by Robin Benson
All-American Ads of the Seventies adds another 702 pages to the 3418 pages in the first four books and only the Ads of the Twenties remains to be published. This latest book is really the weakest of the set though. As editor Jim Heimann explains in his intro, the Seventies print media lacked creative sparkle because television had captured most ad dollars. He also mentions the important point that in the Sixties ad art directors copied a lot of the really great creative stuff shown in the editorial pages of magazines and into the Seventies so much of this input had become everyday. Although he doesn’t mention it I think another reason so many of these ads look bland is because they are just not old enough, they have not quite gained a nostalgic or curiosity value.

Still there are some fascinating pages to enjoy, I liked the chapter on Consumer Products with ads for Sony Betamax, Electrophonic turntables, Advent VideoBeam television, Pioneer tape decks, Polaroid Sonar camera, Honeywell slide projector and an IBM Electronic 75 typewriter. All gone to that electronic dustbin in the sky. I thought the classiest ads were in the Business & Industry chapter, some really creative photography and design.

If you lived through the decade you’ll find some memory joggers here. As with the four previous books the production is excellent, all the ads have been carefully copied from the originals and no screen clash.

All American Ads of the 70s by Martin De Gregorio
Una recopilacion unica y fascinante, se puede recorrer la decada del ‘70 revisando las Publicidades que contiene esta obra. Infaltable para personas que trabajan en diseño, arquitetura, marketing y creadores en general…. no lo duden una obra maestra.Martin de Buenos Aires Argentina.

Great book! by TampaTony1978
An awesome collection of ads from this decade. Hundreds of pages w/ ads of all categories. Very enjoyable. I’m an advertising major & this is a fun book to own

WARNING by Junglecruiser
This book has porn, so if you’re interested in buying this, do what I did and tear out those pictures and shred them so that your kids don’t see them. Otherwise enjoyable.


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